This work investigates the links between perception of the world and scientific representation.
The cognitive activity is intended as a limiting condition and confined to our personal experience. The starting point for decoding these illustrations is the recognition of how we organize our possible/plausible concepts, not only on the scientific representation point of view, but especially through the relationship between perception and interpretation of what is believed real. Throughout the series, the clinical staging of inanimate imaginary is constant: there are passive patients, almost dead, where their bodies become the body/object.
In collaboration with Marco Merloni.